Etude académique: Homme de dos au bâton

Pablo Picasso

Executed in 1897 at the Llotja School of Fine Arts, this study demonstrates the precise anatomical and technical training typical of late 19th-century academic exercises, rather than the personal style for which Picasso would later become famous.

Early Picasso: From Technique to Talent

At 16, Picasso was deeply engaged in the rigorous curriculum of the Llotja School, where mastery of the human form and life drawing was essential.

While this study does not yet reveal the inventive style of Picasso’s later masterpieces, it offers a compelling glimpse into the making of a master. It demonstrates how careful, disciplined practice shaped his understanding of form, proportion, and movement—elements that would underpin his future innovations. The work is both a testament to the academic traditions of the time and a window into the early development of one of the 20th century’s most influential artists.

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